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SELF PUBLISHING WORKED FOR ME. BUT I STILL HAVE BIG CONCERNS ABOUT THIS BRAVE NEW WORLD

1/30/2014

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Recently, at book-club visits, readings/signings, and the WRITERS IN PARADISE’ conference I just attended, I have been asked a lot about my decision to self publish my first novel. 

By any measure (industry thresholds, personal goals, etc), PHOENIXVILLE RISING is a "success." No matter how it was published. Best of all (and let’s not lose sight of this), people seem to like the book. It's being embraced by enthusiastic readers. The reviews are kind and thoughtful and the response is overwhelming.

But I'm well aware that as a debut novelist--and a self-published debut novelist--I am an anomaly. If, like the many writers I met down at the conference, you are thinking about self publishing your own work (or just interested in the machinations behind getting a book to its readers), I still have several concerns about this brave new world of publishing that we find ourselves in. Here are my two biggest issues:

1. Just because anyone can publish anything now doesn't mean they should. If anything, self publishing puts an even greater burden and responsibility on the writer to make sure his work is the best it can be. PHOENIXVILLE RISING had a ten-year gestation period. In that time, I hired two different professional editors (at great but appropriate and necessary expense), workshopped the novel with many different talented writers and readers, got invaluable feedback from my literary agent, trusted beta readers, published authors, etc etc. After I decided the book was ready, I hired a professional cover designer, proofreader, photographers, and developed a business plan--with eyes and wallet wide open. My interest was two fold: I wanted the book to be the best it could be for the readers AND I felt a responsibility to other authors (no matter how they are published) to make sure my work represented well our “industry/vocation/calling/brotherhood." 

2. Traditional publishing (I'm not even big on that term--I just mean anything that isn't a self publisher) is NOT the enemy. There are very loud and obnoxious voices on either end of this debate. A small number of self-publishing evangelists argue that "traditional publishers (and therefore their authors and retailers) are dinosaurs and we should take glee in their eradication." Yeah, um, that's bullshit. And there is a small number of traditional publishers/authors who claim that "self-published books are not real books" or “those books were self-published because they couldn’t get one of the big NYC publishers to sign them.” Um, yeah, also bullshit.

Can’t we all just get along? This isn’t about HOW the work finds the reader. It’s about READERS who find the work. That’s the game.

In the end, as a writer, I just want to tell stories that people want to read and enjoy. I want to get these stories out of my head, onto the page, and out into the world. As a businessperson/marketer (and yes, we creatives must wear this hat too), I want to give my stories the best chance to connect with as many readers as possible. In the case of PHOENIXVILLE RISING, I felt confident I had a book that readers would enjoy and I was optimistic--although not exactly confident--that readers would discover the book through enthusiastic word of mouth, supportive retailers, and the time/energy/$$$ I was willing to put into marketing my work.

That doesn’t work for everyone or every book. Self publishing might make sense for you, or (more likely) it might not. It might not even make sense for my next book. But it did in the unique case of PHOENIXVILLE RISING.

There is so much I want to say on this topic. If you are curious about my experience so far, I'm happy to answer any questions.

Or just read this essay: Chuck Wendig says all this much better than I ever could. I’m sharing his blog via my friend Laura Lippman, who posted it yesterday. (Btw, Laura's new book AFTER I'M GONE comes out February 11!)

Thanks for reading. Really. That’s all I care about.

RC

PS: The most popular questions I get at readings and book-club visits are: 
(1) where is Wishing Manor?; 
(2) are you going to self-publish Book 2?; and 
(3) this should be a movie -- when is it going to be a movie? 

Answers: 
(1) Wishing Manor is not real. 
(2) See post above. 
(3) I agree about the movie, but I know even less about independent film making than I do about self-publishing a book. So if a movie is going to get made, it will be through "traditional" film producers. I happen to know a few. So we'll see. Right now, I’m hard at work on Book 2. When I’m not ranting on blogs.

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JOHN DIXON (AUTHOR OF PHOENIX ISLAND) TALKS CREATIVITY, "INTELLIGENCE," AND TRADING PUNCHES WITH SELF DOUBT

1/28/2014

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You couldn’t make this up.

If you created the character of John Dixon, he would almost defy belief.

A boxer who has a way with words, a fanboy who yearns to write like his heroes, a beloved teacher who walks away from the classroom to follow his dream.

John Dixon is all those things and more. Not long ago, this former Golden Gloves boxer did indeed leave behind his job as a middle-school English teacher to chase his goal of being a published author. What happened next is almost too good to be true.

After years of honing his craft, releasing imaginative short stories and other works in a wide range of genres, John wrote the thriller that became PHOENIX ISLAND. In no time, his stellar work found a literary agent and then a big publishing deal. Before the book was even released, Hollywood took notice. PHOENIX ISLAND became the basis of “Intelligence,” the new CBS show starring Josh Holloway.

Just a few weeks ago, PHOENIX ISLAND hit bookstore shelves to widespread anticipation and great acclaim—the very same week that “Intelligence” premiered as the #1 new show on television.

Trust me, the praise is well deserved. John’s writing is crisp and creative, action-packed, and 100% blistering fun. PHOENIX ISLAND, currently scorching the book charts, is a stunning debut that will have adults and young adults turning pages from the very first paragraph.

Best of all, John is an all-around good guy — creative, humble, friendly, and gifted. A gentle spirit, with a mean right cross.

You couldn’t make this up. You don’t have to. John Dixon has already arrived.



Hey John, thanks for being here. When did you know you wanted to be a writer? When did you know you were one?
For me, it was more about writing than becoming a writer. I started writing stories in third grade and never stopped. Honestly, to this day, if someone asks me what I do for a living and I tell him or her that I’m a “writer,” I feel like a phony. I very much suffer from impostor syndrome, and even at this moment, I’m waiting for the book cops to kick in the doors and drag me off to a prison for literary posers.

Who or what inspired you as a kid or teenager?
I grew up in rural upstate Pennsylvania, and I was obsessed with three things: Dungeons & Dragons, the outdoors, and boxing. Especially boxing. I wanted to make a living fighting, not writing.

What creative work most recently inspired you?
I just finished re-re-re-re-re-re-reading THE SILENCE OF THE LAMBS, which is one the finest, most impressive books I’ve ever read. I’m staggered by it, by Harris, every time.

The most underrated creative is …
Jack London. He’s been pigeon-holed as a nature writer. The guy wrote a wide variety of stuff and was an absolute genius. Don’t believe me? Go back and reread the opening page of WHITE FANG or the final two paragraphs of chapter two of THE CALL OF THE WILD.  

In moments of self doubt, how do you push through?
Self-doubt plagues me. It’s horrible. Over the years, I’ve quit 75% of the things I’ve started, including at least a dozen would-be novels where I wrote a hundred pages or more. That is my great failing and my great struggle.

Have you ever abandoned a creative project?
Ha ha. *Twitches*

What was the best creative advice you ever received?
An editor – I think it was David L. Felts – once rejected one of my short stories with the advice to keep my main character in the driver’s seat. The protagonist’s actions should drive the plot, he explained, not the other way around. That piece of advice instantly changed the way I wrote, and I started selling more stories right away.

My favorite fictional character or hero is …
Harry Potter

The next book on my reading pile is …
RED RISING by Pierce Brown. Can’t wait!

My favorite book to teach in English class was …
RUMBLE FISH by S.E. Hinton… an absolute masterpiece. I’ll never understand how she fit so much into so slim a volume… and so smoothly.

The book I really should have read by now is …
WAR AND PEACE

Does The Great American Novel exist (yet)? If so, what is it?
For me, it’s Stephen King’s THE STAND. It’s an epic story that reduces the American population to vulnerable few then reexamines our country, from its size to its conventions to the smallest bits of Americana, uncanny in this post-apocalyptic context, through a lens that invites nostalgia and fear, absurdity and tenderness. A terrific read.

What creative work might we be surprised to find on your shelf, iPod, or TiVo?
Given that my favorite band is Iron Maiden and my favorite song is “One” by Metallica, it might be surprising that I own “Edelweiss” from the soundtrack for THE SOUND OF MUSIC.   

Facebook and Twitter: friend or foe to a creative?

Both, of course, but mostly foe. Anything that keeps me away from reading, writing, and real life is the enemy.

In addition to writing, how do you express your creativity?
When I was a teacher, I used to draw a lot. Not impressively. I had more enthusiasm than talent.

The most difficult thing about the life of a creative is …
Self-doubt

The best boxing movie (or story) is …
ROCKY, of course. The first one, I mean. As far as books go, though, I’m a big fan of THE CONTENDER by Robert Lipsyte. A magnificent, soulful story.

I wish I could see a boxing match between … 
Right now? I’d love to see a match between Gennady Golovkin, the world’s most exciting fighter, and Sergio Martinez, the long-reigning champ of the middleweight division. If they ever sign the deal – and I doubt they will – I think Golovkin will stop Martinez.

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Another great Q&A -- thanks, John! And believe me, folks, PHOENIX ISLAND is a knockout. A fellow member of the Brandywine Valley Writers Group here in PA, John is a writer's writer and just a great guy -- we are thrilled by our friend's success (and blown away by his talent). To learn more about John and PHOENIX ISLAND, visit his website johndixonbooks.com.  You can also find him on Facebook and twitter. And be sure to catch "Intelligence," every Monday night at 10pm ET on CBS. 

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